In my process as a choreographer, usually the image comes first: a spinning white plate, an underwater queen, a weeping bounce house, spaghetti hair. When constructing and deconstructing that image in the studio, I practice a sort of radical presence encompassing my body, my spirit, and the image. I aim at breaking open the symbolism in a way that might reveal something about the human condition. That research recycles back into my body and distills into a kernel of physical information that I use as a psychic barometer to navigate a more lengthy research period. The more time I have in this state, the more I am able to articulate tasks that I feel will guide the dancers toward surrender. The photographs and notes shown here document this process through three works: Tropical Depression, a work in progress set to premiere in May 2019 at Miami Dade Live Arts; Carne Viva, first shown at the American Dance Festival (ADF) in 2016; and Make Believe, first shown at ADF in 2018.