Credits - Ecotone

credits

“December: Green in Winter” by Kristen Case from Henry David Thoreau’s Kalendar: Charts and Observations of Seasonal Phenomena. Minneapolis, MN: Milkweed Editions. Copyright © 2025 Kristen Case. Reprinted by permission of Milkweed Editions.

art credits

Page 20 © Barret Giehl; page 38 © Barret Giehl; page 46 © xyo33 via Adobe Stock, © JPC-PROD via Adobe Stock, © emilio100 via Adobe Stock, © Barbara Yauss; page 80 © byrdyak via Adobe Stock; pp. 70–71 Holograph manuscript for “An[nual] Phenomena for December,” in the public domain, courtesy of Henry David Thoreau Collection, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library; pp. 72–75 courtesy of Kristen Case and Milkweed Editions, © Kristen Case; pp. 97–104 © Amber Cowan; page 110 © Greyson Joralemon via Unsplash; page 126 © Maslov Dmitry, Brent Hall, Kenneth Keifer; cover art © Amber Cowan, 2021.

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Ecotone is set in Bell Gothic and Janson. This issue is printed on B18 Trade Book Antique and bound in uncoated Via Smooth Bright White, by Sheridan Press, an FSC-certified company, in Hanover, Pennsylvania.

Cover design by Anna Lena Phillips Bell, featuring Amber Cowan’s Hummingbirds Feast on Helio and Lavender, 2021, glass and mixed media, 20 x 15.5 x 7.5″.

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Ecotone (issn 1553-1775) is published twice yearly by the Department of Creative Writing and The Publishing Laboratory at the University of North Carolina Wilmington. We are grateful for funding from the UNCW Department of Creative Writing and the National Endowment for the Arts.

Subscriptions: $24 (one year, two issues) for U. S. addresses. Single copies and institutional subscriptions are also available.

Please address all correspondence to Ecotone, Department of Creative Writing, University of North Carolina Wilmington, 601 S. College Road, Wilmington, NC 28403-5938. For more information, including submission guidelines, please visit ecotonemagazine.org.

The short stories in this issue are works of fiction. Names, characters, places, events, and incidents are products of the authors’ imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or to actual events is entirely coincidental. The views expressed in this magazine do not necessarily reflect those of its editors or sponsors.